Sailor Moon Wallpapers Series 1  

Sunday, June 12, 2011

Sailor Moon, known as Bishōjo Senshi Sailor Moon (美少女戦士セーラームーン Bishōjo Senshi Sērā Mūn, officially translated Pretty Soldier Sailor Moon) in Japan, is a media franchise created by manga artist Naoko Takeuchi. Fred Patten credits Takeuchi with popularizing the concept of a team of magical girls,[2][3] and Paul Gravett credits the series with "revitalizing" the magical-girl genre itself. Sailor Moon redefined the magical-girl genre, as previous magical girls did not use their powers to fight evil, but this has become one of the standard archetypes of the genre

The story of the various metaseries revolves around the reborn defenders of a kingdom that once spanned the solar system, and around the evil forces that they battle. The major characters—the Sailor Senshi (literally "Sailor Soldiers"; frequently called "Sailor Scouts" in many Western versions), teenage girls—can transform into heroines named for the moon and planets (Sailor Moon, Sailor Mercury, Sailor Mars, etc.). The use of "Sailor" comes from a style of girls' school uniform popular in Japan, the sērā fuku ("sailor outfit"), on which Takeuchi modeled the Sailor Senshi's uniforms. The elements of fantasy in the series are heavily symbolic and often based on mythology.

Before the Sailor Moon manga appeared, Takeuchi had written Codename: Sailor V, which centered around just one Sailor Senshi. She devised the idea when she wanted to create a cute series about girls in outer space, and her editor suggested she should put them in sailor fuku. When Sailor V was proposed for adaptation into an anime, the concept was modified by Takeuchi so that Sailor V herself became only one member of a team. The resulting manga series merged elements of the popular magical girl genre and the Super Sentai Series which Takeuchi admired, making Sailor Moon one of the first series ever to combine the two.

The manga resulted in spinoffs into other types of media, including a highly popular anime, as well as musical theatre productions, video games, and a tokusatsu series. Although most concepts in the many versions overlap, often notable differences occur, and thus continuity between the different formats remains limited.
















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Saber Marionette J Wallpapers  

Saber Marionette J (セイバーマリオネットJ Seibā Marionetto Jei), is an anime series from the Saber Marionette franchise about Otaru Mamiya and his three marionettes, which are humanoid female robots. It is created by Satoru Akahori while the original character designs are from Tsukasa Kotobuki. The anime series aired on TV Tokyo from October 1, 1996 to March 25, 1997. The anime is licensed in North America by Bandai Entertainment and released in VHS and DVD formats. The DVD release contains the English, Japanese and Spanish (Latin American) tracks. The anime series was directed by veteran Masami Shimoda while the character designs were done by Shuichi Shimamura, the main script writing was done by Mayori Sekijima and the music was composed by Parome.
The series is set in Terra II, a planet far from Earth. 300 years before the beginning of the story, the human colony ship Mesopotamia suffered a major disaster which killed almost everyone on board. Six men escaped using an emergency pod and managed to land on the surface of the planet. With no means to return or contact Earth, they decided to colonize the planet using clones of themselves. Six nations are created, each ruled by six direct clones of the original colonists, while the nations themselves are populated by genetically modified clones.














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Rurouni Kenshin Complete Series  

Friday, June 10, 2011

A prototype series titled Rurouni, Meiji Swordsman Romantic Story first appeared as a pair of separate short stories published in 1992 and 1993 in the manga magazine Weekly Shōnen Jump Special. The first story featured an earlier version of Kenshin stopping a crime lord from taking over the Kamiya family dojo. Watsuki described the first Rurouni story, echoing the "Megumi Arc," as a "pilot" for Rurouni Kenshin. According to Watsuki, the final Rurouni Kenshin series was not composed entirely from his free will. Describing the creation of historical stories as "hard," Watsuki initially wanted to make his next series in a contemporary setting. An editor approached Watsuki and asked him to make a new historical story. With the historic concept, Watsuki intended to use the Bakumatsu time period from [[Moeyo kenshin (Burn, O Sword) with a story akin to Sugata Sanshirō. Watsuki experimented with various titles, including Nishin (Two-Hearts) Kenshin, Yorozuya (Jack-of-All-Trades) Kenshin, and variations of "Rurouni" and "Kenshin" with different kanji in that order.
The second Rurouni story, released one half of a year after the first story, features Kenshin helping a wealthy girl named Raikōji Chizuru. Watsuki recalled experiencing difficulty when condensing "everything" into 31 pages for the first Romantic Swordsman story. He said that he "put all my soul into it" but sighs when looking at the story from his perspective after the publication of the Rurouni Kenshin Volume 1 graphic novel in Japan. Watsuki describes the first Rurouni: Meiji Swordsman Romantic Story as receiving mediocre reviews and about two hundred letters. Watsuki described the second Rurouni as a "side story.
During his childhood, Watsuki used to practice kendo which influenced him in the making from the series. Although, Watsuki developed various one-shots prior to the official serialization from the series, he mentioned he based the series from Crescent Moon in the Warring States, a story which introduced Kenshin's fighting style and his teacher. While naming the characters, he based some of their names from places he used to live such as Makimachi Misao's "Makimachi" and Sanjō Tsubame, who are named after places from Niigata.












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